Ankle Biter, 2018
Duo duo exhibition with Jaakko Pallasvuo and TARWUK at Gallery Miroslav Kraljevic, Zagreb
Nor can the darkness still the whispering in the trees.
not measurable,
but who already knows.
“shows paranoid symptoms”
plying the boats like lyres.
not hearing me at all
though they stood at the door
during a reading
Some vanished soon after.
Laws of nature
The trees are, the nights grow longer bit by bit,
Still, it is as sad as a child
Living concepts
Free when obey self
Discover self
just after i said
probably for her psychology class
“this is a paranoid poem — written when i was experimenting with paranoid states of consciousness, but i’m not there anymore”
so slowly nobody notices.
Education of feelings
Cognitive unity
Feeling mysticism
or on the shore beside the boats
to whom one speaks soothingly, from whom one is keeping something,
Others stayed.
Best possible world
Into the high ancestral spaces
True individuality
Pain outweighs pleasure
This admits of endless interpretation.
like in Milwaukee
Some gave a sense of size,
& a young girl sat writing
This says nothing.
Rejection of supernatural influences
Purpose of life
Absolute spiritual being
All work is collaborative unless mentioned otherwise.
SacreMonger, 2018, plastic, fibreglass, fabric, resin clay, coyote hair, human hair, metal wire, latex, BQE relics. Photo: Damir Žižić.
SacreMonger, 2018, plastic, fibreglass, fabric, resin clay, coyote hair, human hair, metal wire, latex, BQE relics. Photo by the artists.
SacreMonger, 2018, plastic, fibreglass, fabric, resin clay, coyote hair, human hair, metal wire, latex, BQE relics. Photo by the artists.
SACR3: Eternal Return, Jaakko Pallasvuo & Anni Puolakka, 2018, HD video, 37 min, exhibition view. Photo by the artists.
SACR3: Eternal Return, Jaakko Pallasvuo & Anni Puolakka, 2018, HD video, 37 min, exhibition view. Photo: Damir Žižić.
Ankle Biter, 2018, exhibition view. Photo: Damir Žižić.
Dog, Anni Puolakka, pen on paper, 2018. Photo by the artists.
Ankle Biter, 2018, exhibition view. Photo: Damir Žižić.
Steiner’s Baby, 2018, plastic, fibreglass, fabric, resin clay, coyote hair, human hair, metal wire, latex, tyvek. Photo: Damir Žižić.
Ankle Biter, 2018, exhibition view. Photo: Damir Žižić.
Ankle Biter, 2018, exhibition view. Photo: Damir Žižić.
Lizzy, Anni Puolakka, pen on paper, 2018. Photo by the artists.
Ankle Biter, 2018, exhibition view. Photo: Damir Žižić.
Ankle Biter, 2018, exhibition view. Photo: Damir Žižić.
Ankle Biter, 2018, exhibition view. Photo: Damir Žižić.
Ankle Biter, 2018, performance. Photo by the artists.
Ankle Biter, 2018, performance. Photo by the artists.
Collaborative drawing.
Collaborative drawing.